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17 results found.
Kadaver - Ain't Love Grand CD (L-White: LW106)
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Kadaver is most likely the most extreme musical act in the middle east, focusing on harsh noise,death industrial and power electronics. For roughly a decade and a half now, Israeli based Michael Zolotov, has been releasing some of the most vile and disturbing "audio-terror" out there under the Kadaver banner."Ain't love grand?", his new weapon, is just that. Harsh, personal, cold and bleak. Music for your end. Lmtd 100. $5.0
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Karna Project - The Haunted Age of Destruction (Eternal Pride: EPP11)
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Cold post-industrial pulsations, freezing ambient passages, and explosive military rhythms! Musical shapes mimic and hide in secret spheres, their power destroying the illusion of reality, moving the listener out of their boundaries, as is the goal of the True Satanic Art.. $5.0
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Kazeria - Nihilist Militant CD (Twilight Recordings: TWI.150)
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With this new album, Kazeria gathers a retrospective and very personal material. All tracks (or "explorations") are unedited and were recorded between 2003-2007, earlier in the formation of the project and during “a troubled personal time; one of militant nihilism” according to [S] own words. Neither hi-tech nor hi-fi were used in here.
Back at that time [S] employed worn and minimal gear, using primitive recording techniquies (hand-manipulation, mostly) in order to create "old school" and minimalistic industrial, black / dark ambient and noise but including many elements that can be recognized on Kazeria´s later works.. $5.0
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Keltika Hispanna - Nekue Uertaunei CD (Soliferro: SFR04)
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Keltika Hispanna is a band of Dark Folk born in the mountains of the Sierra of Guadarrama (Madrid / Spain). Within his compositions blend old harmonies and rhythms recovered from the folk music of rural areas, with melodies and lyrics inspired by nature, ancient history and the magical-religious beliefs of the Iberian peoples. Focus is in the use of instruments traditional, singing their lyrics in the language Spanish and some of their songs in the old language Runic of their ancestors Celtiberians.. $5.0
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Khem - Nessuna Redenzione CD (Naked Lunch Records: NLR009CD)
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A mix between sonic poetry and industrial ritualistic music, the beat-driven new Khem album "Nessuna Redenzione" offers a powerful sensorial experience lead by the sharp recital of Collettivo's vocalist Cosimo and helped by Devis Granziera of the renowned italian act Teatro Satanico. Cover art by Valerio "Leg". $5.0
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Klammheim - Heimwarts (Heimatfolk: HF10)
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If you’re a Neofolk aficionado familiar with Steinklang’s Pagan Folk collection, or the Austrian club scene, Klammheim should be a name you’ve noticed. And now Klammheim’s debut album is here. Heimwärts is a collection of melancholic, soft-spoken and acoustic folk songs that occasionally reveal Klammheim’s roots in heaver, rockier sounds. All vocals are sung in lead singer Dea’s Styrian (Austrian) dialect, and to augment the band’s line-up of guitars, accordion and percussion are guest musicians such as Thomas Bøjden (Die Weisse Rose) and Benjamin Sperling (Jännerwein). The album is based around the longing for the Heimat, the mythical homeland of German romantics.But you don’t need to be a feather pen-swinging poet to long for the Heimat, it’s enough to think that the snow was whiter, the rain softer, the world more magical, back when you were younger – and to long for the times and places that made you who you are. One song "Wandel zur Ruh" is based on the lyrics of a Styrian Writer, Paula Grogger.The song "Namenlos" (“Nameless”) is based around a cemetery in Vienna which contains the remains of souls who drowned in the river Danube. Klammheim have not run straight off the Neofolk mill that seems to be working overtime these days. They are as indebted to Austropop as Neofolk, as influenced by Wolfgang Ambros as Death in June.. $4.0
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Klammheim - Heimwarts Boxset (Heimatfolk: HF10Box)
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If you’re a Neofolk aficionado familiar with Steinklang’s Pagan Folk collection, or the Austrian club scene, Klammheim should be a name you’ve noticed. And now Klammheim’s debut album is here. Heimwärts is a collection of melancholic, soft-spoken and acoustic folk songs that occasionally reveal Klammheim’s roots in heaver, rockier sounds. All vocals are sung in lead singer Dea’s Styrian (Austrian) dialect, and to augment the band’s line-up of guitars, accordion and percussion are guest musicians such as Thomas Bøjden (Die Weisse Rose) and Benjamin Sperling (Jännerwein). The album is based around the longing for the Heimat, the mythical homeland of German romantics.But you don’t need to be a feather pen-swinging poet to long for the Heimat, it’s enough to think that the snow was whiter, the rain softer, the world more magical, back when you were younger – and to long for the times and places that made you who you are. One song "Wandel zur Ruh" is based on the lyrics of a Styrian Writer, Paula Grogger.The song "Namenlos" (“Nameless”) is based around a cemetery in Vienna which contains the remains of souls who drowned in the river Danube. Klammheim have not run straight off the Neofolk mill that seems to be working overtime these days. They are as indebted to Austropop as Neofolk, as influenced by Wolfgang Ambros as Death in June. Extravagant wooden collector’s box which, apart from the album itself, contains a T-Shirt, a button, three postcards accompanying various songs, as well as a bonus CD including two live videos from Klammheim’s concert in St. Koloman. Last but not least, the box will contain a Styrian culinary surprise with a special KlammHeim flavour.Size Large shirts only. $28.0
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Kloob - Unpredictable Signs CD (Winter-Light: WIN044)
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After having released the very well received 'Remarkable Events' album on Winter-Light, 'Kloob' returns again with his new full length album 'Unpredictable Signs'. Through the use of voices, field recordings and synthesisers we are once again invited to dive deep in to the music of 'Kloob'.Initially the feel on this new work is of a much more minimal approach, compared with that of 'Remarkable Events'. However, once you begin to settle in to the album, you realize that the electronic terrains of 'Unpredictable Signs' are more subtly created and vast than on it's predecessor. Beautifully effected synth sweeps and lo-fi bass drones and rumbles, paint an infinite pattern of oncoming musical landscapes, stretching as far across the horizon, as the musical eye can see to.Conceived and recorded against the backdrop and with the shift of current world events in mind, Dani Kloob tells us a little of the thoughts behind his new album.....'Unpredictable Signs. The current global uncertainty all around us. A sign of the times. What is to be expected in the near future? It is the mystery that will always be here.Sometimes there are hidden clues that can help to presage events. However, nowadays it is almost impossible to second guess the scenario that will follow.Such considerations have shaped all these deep and intimate, sculpted soundscapes through the use of vocals, background noises and ethereal drones.. $12.67
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Kollaps - Mechanical Christ CD (Cold Spring: CSR269CD)
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Australian post-industrialists KOLLAPS are a three piece creating a unique brand of primitive noise “intended for degenerates and outsiders”. The bands’ distinctive primordial tones are created using appropriated waste materials like scrap metal, raw plastics and steel plates combined with blistering percussion, bass and vocals. This is no empty “industrial” gesture, for the band this process of creation facilitates the literal use of postmodern society against itself.|
Mechanical Christ, the bands’ sophomore release, is a conceptual continuation of its predecessor Sibling Lovers. This release sees Kollaps further their exploration of the inherent societal sickness of our times, one that manifests itself in the debasement of individual morality. Themes of exploitation, vengeance, drug addiction, paranoia and slave labour are part of a dissonant, inverted morality play. Testament to the bands’ evolving conceptual depth are the overarching themes of love, life and death that offer a sense of shared experience in the discomfort of the universal human experience. Known for their violent and nihilistic stage performances, this recording encapsulates with harsher clarity the visceral confrontation that is Kollaps’ live act.
Mechanical Christ was recorded and mixed over a two-month period at Aviary Studios by Mike Deslandes, and mastered by James Plotkin/Plotkinworks. It is a 36-minute journey into the desperation and lack of resolve that is both the crux of modern social ills and at the very heart of the human condition.. $13.0
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Kollaps - Until the Day I Die CD (Cold Spring: CSR309CD)
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"Until The Day I Die" is the third album from Australian post-industrial outfit KOLLAPS.
"Until The Day I Die" is a merciless and visceral assault on the senses and continues the trajectory of the band's idiosyncratic approach in their creation of sound. The album showcases an uncompromising force of harsh post-industrial music narrated by overarching themes of condemnation and redemption; of violence, romanticism, sexuality, and addiction. Much of the creation and lyrical conceptualisation of the record has been stylised and presented using William S. Burroughs' cut-up method.
A wide variety of metals and raw materials were used in the creation of the album including metal grates, a rusted hoist, cement cylinders, field recordings, hammering of various decrepit objects, broken amplifiers, an exposed reverb tank, various synthesizers, and the infamous metal coil; a crudely self-constructed artifice that has become iconic in its use across KOLLAPS' triptych of releases and lengthy touring history in Europe, Australia, and New Zealand.
"Until The Day I Die" has had a tectonic shift in production methods compared to its predecessors and was entirely written, recorded, and mixed internally the self-constructed ILoveHeroin Studios built above a sculpture museum in Lugano, Switzerland. All instrumentation was handled by Wade Black except for bass guitar by Andrea Collaro recorded at Hangar 121 in Lenate Pozzollo, Italy on all tracks except "D-IX" and "I Believe In The Closed Fist," handled by Black, and additional sound design and percussion by Giorgio Salmoiraghi.
The album was mastered by James Plotkin and completed with cover artwork by Nullvoid (Thomas Ekelund | Trepaneringsritualen).. $13.5
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Kraschau - Falanx (Twilight Recordings: GH120)
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The second full-length work of Kraschau consists of two parts: the first six tracks follows the monarchist, counter-revolutionary standpoint introduced on the debut album with a blend of christian mysticism and it deals mainly with the history of Central-Europe (eg. the Austro-Hungarian Empire, Prussia). The last four songs are dedicated to the history of the spanish civil war. Musically Kraschau continues the symphonic, neo-classical concept, this time with more tension: sometimes even more harsher industrial elements, sometimes more clear and glorious orchestral anthems.. $6.0
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Kraschau - Une Fois D'Acier CD (Twilight Recordings: TWI.146)
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Kraschau’s long-awited third full-length album is maybe their most epic work among all. It shows the depths and heights of the martial/industrial/neoclassical genre with sinister, monotonous industrial loops and heavy bears and with glorius, sublime neoclassical anthems. It also summarizes their previous works (Offenbarung, Falanx & Unitas - the split with Kriegsfall-U.), by making a special, alternative version of one track from each. With that ‘éncore’ section, Une Foi d'Acier is more than an hour long work in 13 tracks.The album is dedicated to the christian victims and marthyrs of two major conflicts of the 20th century: the Mexican 'Cristero’ war and the Spanish civil war, but also deals with the confused 20th century history of the project’s origin, Austria-Hungary and the Central-European region.Musically, it continues to expand and incorporate more and more styles, like it’s predecessor, Falanx: as 'usual’, you can find Kraschau’s self-composed and played neoclassical synth parts, but most of the songs are going back to the roots of industrial music and they are more based on various, monotonous samples and loops. Furthermore the album makes experiments in incorporating power industrial and contemporary classical music and even 'lighter’ electronic sounds.. $7.0
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Kreuzweg Ost - Gott Mit Uns (Cold Spring: CSR141CD)
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2nd monumental album from Kreuzweg Ost for Cold Spring, headed by Michael Gregor (SUMMONING / AMESTIGON). "We see a light through the dim and cloudy shadows of our existence. In the electric field between. Total faith and desperation, hope and doubt, eternal bliss and delusion, we walk an unsure path to an unknown end. When the clouds open, the light navigates. The loud music of the sky: pounding drums surrounded by trumpets and swirling voices echoing from a distance unknown". Kreuzweg Ost rises again with God on their side. “Gott Mit Uns” combines a variety of different musical styles: from Martial Industrial to Classical sounds, from deep Ambient to cinematic Pop music. These musical prayers are made for those seeking salvation.. $6.0
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Kristoffer Nystroms Orkester - Overlook Hotel CD (Malignant: TumorCD50)
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Overlook Hotel heralds the return of the mighty KNO, the collaborative project between Swedish industrial legend Peter Nystrom (Megaptera, Negru Voda), and Norwegian up and comer Kristoffer Oustad (V:28, Plague Machinery). 5 years after the highly acclaimed brakeHEAD CD, KNO welcomes you into the Overlook Hotel, where every room has a ghost, and every room has a story to tell. Travel the hallways and explore, as you venture into a more cerebral musical state than what brakeHEAD offered, where ghostly transmissions and hypnotic layers of surreal, ethereal atmospheres intersect with disembodied voices, clattering, furnace blasting percussion, and of course, healthy injections of true, old fashioned industrial noise and sweeping doom, done in the best Scandinavian style (imagine if Deutsch Nepal had continued in the same path laid down by Benevolence and you start to get the idea). The pacing of the album is truly impeccable, flowing seamlessly from to track, as if moving from room to room in a hazy, dream state, the layering and cohesiveness on a whole nothing short of meticulous. In 6 panel digipak.. $5.0
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Kristoffer Nyströms Orkester - Brakehead (Malignant: TumorCD25)
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Kristoffer Nyströms Orkester (KNO) is a collaborative project between Peter Nyström (Megaptera/Negru Voda) and Kristoffer Oustad (V:28). A true sonic beat down, done in full Scandinavian style, with a battery of iron fisted rhythms hammering down in a thunderous downpour, and the caustic reverberations of the analog doom machine grinding and screeching in a symphony of clangorous and distressed beauty. This is an album that is as majestic as it is bleak, capturing the essence of old school Swedish industrial, but forging a new path towards a dark future.From auralpressure.com: "Brakehead" is a phenomenally majestic piece of dark ambience and noise that will leave you totally awe struck. The visceral raw power of the electronics is a thing of untamed beauty that heralds in a new era by which others must now be judged against." Guts of Darkness called this THE industrial disc of the year! Check out other reviews in the reviews section. A must for fans of Megaptera, Negru Voda, and all things Peter Nystrom. In stylish digipak. $5.0
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Kristoffer Oustad - Filth Haven CD (Malignant: TumorCD84)
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As one half of Swedish/Norwegian industrial duo K.N.O., Kristoffer Oustad is no stranger to the Malignant roster, and yet within the broader context of the K.N.O. sound, his exact contributions were never fully known, or at least immediately recognizable. Listening to his debut solo recording, it becomes evident that the more emotive and moody qualities within those recordings seemed to be his primary responsibility. The 7 tracks that comprise Filth Haven operate on a palpable psychological level and are perhaps some of the most personal and deeply emotional recordings Malignant has released. Oustad shows an innate ability to craft intricate and detailed pieces of grey hued, analog darkness that feel suspended in time… dreamlike and meditative, yet always hinting at something ominous on the horizon, as gradually shifting textures, drifting tones and haunting melodies intersect in a hazy, somnambulant procession. While the method for composition (analog synths, guitar, and field recordings) may have been the same, each track is uniquely different than the next, but in the end, feels tightly bound together by a cinematic framework that sinks deep into your consciousness. An absolutely astounding and rewarding work for those that appreciate all manner of dark music.
Tracklisting: Elberton 1979 (7:00), Traveller (10:00), Anti-Clockwise Rotation (6:30), Row Me Over (9:00), Liquidator (5:45), The Sun Maker (4:55), The Arch (5:59).. $5.0
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Körperwelten (Navicon Torture Technologies/Nordvargr) - Avatars of Rape and Rage (Malignant: TumorCD36)
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Having started the process way back in 2002, this collaborative project between Swedish powerhouse Nordvargr and US apocalyptic industrialists Navicon Torture Technologies finally sees the light, having been re-worked and re-structured as a perilous 40 minute plunge into a black hole of sound. Waves of grim, doom filled atmospheric sludge crossbred with buzzing black drones, grinding distortion, and a seething underbelly of rhythmic pulsations, ultimately delivering everything you might expect from these two giantsof the industrial scene. In 6 panel digipak, with extreme and controversial Jonathan Canady designed artwork.. $6.0
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